Yanira Castro’s Exorcism = Liberation Is a Public Art Campaign for Divided Times

Stroll through New York City, Chicago, or Western Massachusetts in the next month and a half and you might encounter…

Kayla Hamilton on Disability as Method and Access as Artistry

Bronx-based dancer, director, and educator Kayla Hamilton is at a transitional moment in her career. Her largest ensemble project yet,…

Kayla Hamilton on Disability as Method and Access as Artistry

Bronx-based dancer, director, and educator Kayla Hamilton is at a transitional moment in her career. Her largest ensemble project yet,…

A Strike Threat, Scaffolding, and Last-Minute Changes: What It Was Like Dancing in the Olympic Opening Ceremony

Ballet de Lorraine’s Tristan Ihne has been dancing professionally for nearly two decades. But on July 26, he gave a…

A Strike Threat, Scaffolding, and Last-Minute Changes: What It Was Like Dancing in the Olympic Opening Ceremony

Ballet de Lorraine’s Tristan Ihne has been dancing professionally for nearly two decades. But on July 26, he gave a…

Choreographer David Dorfman on Magical Risk and Radical Empathy

For 40 years, David Dorfman has made capacious work full of heart. His 2020 piece (A) Way Out of My…

Choreographer David Dorfman on Magical Risk and Radical Empathy

For 40 years, David Dorfman has made capacious work full of heart. His 2020 piece (A) Way Out of My…

Dancing Across the Solar System as the Grand Canyon’s Astronomer in Residence

When I first imagined choreographing a dance about the connection between the Grand Canyon and how humans explore the solar…

Dancing Across the Solar System as the Grand Canyon’s Astronomer in Residence

When I first imagined choreographing a dance about the connection between the Grand Canyon and how humans explore the solar…

La Cage aux Folles’ Cagelles, 40 Years Later: Something About Sharing, Something About Always

The groundbreaking musical La Cage aux Folles opened on Broadway 40 years ago last August. As part of the anniversary…